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On one level this is pure throwback, an old-school tentacles-and-all monster movie which really comes alive in its glittering monochrome DVD version.
Having tackled Stephen King twice already – in The Shawshank Redemption and its inferior follow-up The Green Mile – Frank Darabont made his first out-and-out horror movie with this bleak, pointed adaptation of King’s novella about a mysterious fog which swamps a small town, forcing the inhabitants to take shelter in the local supermarket. Recommended: London and UK cinema listings, film reviews and exclusive interviews.Ĭast: Thomas Jane, Marcia Gay Harden, Toby Jones Written by Tom Huddleston, Cath Clarke, Dave Calhoun, Nigel Floyd, Phil de Semlyen, David Ehrlich, Joshua Rothkopf, Nigel Floyd, Andy Kryza and Alim Kheraj Prepare for many sleepless nights: here are the 100 best horror films of all time.
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The list is also full of the classics, as well as some recent releases that left us terrified and a generous helping of B-movie monster mania.
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And genre filmmakers like Wes Craven and John Carpenter have been elevated to the same storied tier as genre forebears like Michael Powell and Hitchcock… directors whose credentials belied a bloodlust that shocked audiences like a maniac lurking behind the shower curtain.Īs with our picks of the best comedy movies or best thrillers, the below list is a proper smorgasbord of horror movies, including genre-busting science fiction like Alien and murderous serial killer thrillers such as The Silence of the Lambs. Slasher films have been re-evaluated as art. Video Nasties and seedy B-movies have been reappraised as brilliant.
īut the truth is, horror’s golden age has spanned the entire lifetime of cinema, eternally lurking in the shadows like Count Orlok and tempting more respectable cineastes to live deliciously by indulging in their baser emotions. Jim from the American Office has become a horror icon thanks to his A Quiet Place franchise and former sketch-comedy headliner Jordan Peele netted an Oscar by tapping Rod Sterling and The Stepford Wives for the zeitgeisty Get Out. James Wan keeps cranking out blockbuster funhouse fare like The Conjuring. Indie darlings like David Gordon Green have taken the reins of the Halloween and Exorcist franchises. Boutique distributor A24 has become the paragon of ‘elevated horror‘ thanks to the elegant scares of Hereditary, The Witch and Saint Maude. This also strengthens Jesus’s strength and resistance to temptation which is important to the film and shows that Judas wasn’t as strong mentally as Jesus.There’s a lot of patter about how we live in a golden age of fright. This scene is important because it shows that Satan does have to power to make individuals give up and it worked on Judas as opposed to it not working on Jesus in the first scene. It is implied Satan gave Judas the reasoning, the temptation and the means for him to commit suicide. This rope with is on a dead donkey is covered in maggots, which further strengthen the influence by Satan on Judas death as Satan was depicted with maggots in his nose earlier. The scene is depicted without dialogue but it is implied that through his tormenting that Judas is led to hang himself due to his torture by Satan. Satan is depicted in the background while the demons who appear as children torture and taunt him. The second time Satan appears in the film in when Judas is being tormented by demons. An interesting fact is that Mel Gibson cast a women to play Satan to help strongly differentiate Satan from being seen as a man, but rather a non-human being. The bugs and maggots in his nose also convey this. This is represent the fact that he is not a man. In discussing the appearance of Satan, it appears that Satan exhibits neither masculine nor feminine qualities.